LetвЂ™s bypass this organ, weвЂ™ll pull up the volume a little bit so we can hear that a little better. Hear that in the mix, weвЂ™ll pull the drums back in. It doesnвЂ™t even look like anythingвЂ™s happening, so IвЂ™ll have to bring that down a little. Knocking off some of the peaks, and then the limiter weвЂ™re just using for a last bit of gain staging and level. The dynamics weвЂ™re just controlling a little bit. You can use the drive knob for the different settings. Check out how dead this thing sounds without the exciter. WeвЂ™ve got an EQ removing, taking away the lows and boosting the junk out of the highs. YouвЂ™ll see that this oneвЂ™s got quite a bit to it. IвЂ™m going to show you a little bit of how I quickly selected a couple of presets to help me keep moving forward in the mixing stages of this record.ДЄ bit of a volume difference there, but the breakdown of it looks something like this. This is a song chosen by Jeris Cole, itвЂ™s featured in the Mixing Vocals and tutorials. IвЂ™ve selected a couple of upright pianos IвЂ™ve got.

Their preset are great, and IвЂ™m going to show you how and why right now. The preset library in iZotope Alloy 2 has really helped me to knock off quite a bit of time on fumbling with sounds and sound design type stuff. Today, IвЂ™m going to dive in and show you a little bit of how IвЂ™m using iZotope Alloy 2 to save me a ton of time on mixing records. David Glenn for, , the new, and of course,.

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